LONG PLAYING

The just-past-full moon parsed
and dissected by black tree branches
and a screen window open to a taut
Spring chill on this, the earliest Easter
to fall since 1913, to mark when
“our savior” came up quick-fingered
from the distended womb of the earth, and the moon spins in the sky
like an LP at the end of it’s side,
the needle stuck on the lip, clicking.

MY JESUS IS NOT THE JESUS YOU KNEW

Greasy-haired freak still owes me 18 bucks!
Standing out by the servant’s quarters,
acting all shifty, polishing the good silver,
and waiting on a blind date with some chick
named Rosary...

I heard he was once Union, but the carpenters
let him go; too many nails per halo.
I heard his dance card for the spring fling was signed, “Infinite.”

I heard we should cut him some slack, that his endless bounty makes up for lack
of charm, or social graces. But I don’t know.
He seems like any other poor son of a bitch to me…

GRAVE MELODY

I have found Sabina Melody among the graves,
beloved of Matthew, resting in this earth since 1891,
awaiting the Day of Rapture.
I have found the deformed faces of saints, marble fingers acid-eaten and up thrust, pointing the way.
I have found dirty white plastic doves, joined
at the wing, littering the walkway.
I have found an old man sitting on the bumper
of a black Cadillac, sipping vodka from a NyQuil cup.
Doubtless, he has his own way of remembering.

THE DEAD MAKE LIGHT

I have seen this graveyard from the highway
on a hundred family trips to the city. Grey legions of marble flashing by
in sunlight, and always impossibly seated at their center, the massive black squalid factory
spuming smoke.

From our station wagon's back seat, my brother whispered to me, "Of course, stupid-- Where do you think we get electricity from?
They burn the dead to make light."

And another time,
"That's where you lived before you were born."

I saw myself sleeping small beneath the cool green shade, hands folded,
my face blank white marble.
Until somehow from a bedroom in Long Island
mom and dad together crackled the current
that set me breathing.

DEAD WAKE

Nothing much has changed since I left here.
There is a pigeon resting, spattering
the face of another blunted saint.
There is a numbers board clicking
at the Irish bar across the street,
the neon weakly blinking
through wrought-iron gates.
There is the ungiving sluice of traffic
from the highway, not stopping,
constant as tides.

And there is smoke
from some early Autumn stove.
Smoke which rises, urgent and groping, forgetting the fire from which it's made.

ANTI-MATTER OF FACT

I guess our lives are just a metaphor,
like “Towering Inferno,” starring the folks next door.
Give us our daily bread. It’s wafer-thin, and we’re left wanting more, smoke-choked and chained inside this corridor.

EMBLEM

The shriveled-leaf oak enshrined in gold
at the end of my block by the last slanting
rays of sun between the roof tops—
I am drawn to you, like a message
flaming out. You can’t tell me
all that I’ve missed today, as I stumble into the dusk’s first radiance, here
at the end of the weekend, shaking hands with everyone I’ve already forgotten.
But I stand by you for a moment, and pretend so.